I’m always into mental hacks, I guess they’re called, little things that get me ahead. A post on Facebook was about writing longhand and if it’s effective, and people left comments about the benefits, such as how you use your whole body to draw letters on a piece of paper with pen in hand as opposed to the automatic nature of typing. I didn’t know if it went as far as that, but I did know that after writing longhand for many years every morning that it definitely slowed my thoughts because it took drastically longer to write a word than it did to type.
But one person commented that they wrote longhand with their left hand to activate the right brain, which therefore unearthed their repressed memories and their inner child. As someone who always wanted to find some new approach to my craft, I penned a page with my left hand the next morning.
What I found out at first was that my handwriting looked like it was from that of a four-year-old. The letters were very runny, like a busted yolk, almost like the objects in an abstract painting, and for the most part, illegible. And it took so long to craft each word that the sentences were overly simple. I spent a half hour composing a whole page, and the content was similar to the content I’d penned with my right hand. But what I found after that first morning was a sense of calm afterward. My anxieties were at bay. It felt like I’d just stepped away from a therapist, and I could go on with my day more confident.
Maybe it was a placebo. I googled research on left-handed writing and found mixed answers. Some people had blogged about astounding results in that they were able to channel creativity and their inner child with the use of their right brain. Other articles negated the unlocked power and said there was no scientific evidence of left-handed writing activating the right hemisphere and unlocking creativity. What a bummer. I do beg the question. Is someone who’s naturally left-handed fortunately more creative than someone who’s right-handed? Nevertheless, we can train ourselves to be ambidextrous regardless of whether the left-handed phenomenon is bogus. There’s no harm in that.
But I do believe the placebo is real. If a writer feels it works, it works. Writers can be superstitious as such that some of them wear the same hat when they write. Others keep a pet rock at their desk to invite their muse like it’s a plate of cookies for Santa Claus. After all, creativity and the imagination bloom when the writer handcuffs himself.
I once wrote a short story where I never used the letter k, so I had to be mindful to use words that didn’t contain that letter. That restraint allowed me to discover new ideas.
I’m fascinated by the Oulipo movement, which was a sixties movement of French writers who enforced such restraints. One of them, for example, was called N+7, where they took every noun from a poem, grabbed a dictionary, and chose the noun that was seven nouns down and replaced it with that. Some of the outcomes were absurd, but it was all part of the games the Oulipo movement played. One novel was completely written without the letter e. Don’t ask how that was accomplished, but I bet it forced the writer to form new ideas he’d never before imagined.
https://www.languageisavirus.com/creative-writing-techniques/oulipo.php#.X0GpOdNKhb9